After physically installing the unit and connecting the Network 1 port to the S6 switch for Eucon communication and configuration, it was a simple mater of installing the DADman software to configure the unit. Ultimately I would be looking to purchase a unit with 24 channels of analog IO to replace my two HD I/Os (one 8x8x8 and the other a 16×16 analog unit), but for sake of testing I swapped out the HD I/O 8x8x8 so as to retain the IO capabilities I am used to, and allow a direct comparison between the conversion quality of the two units. The loan unit came with an 8-channel Mic/Line card installed, two 8-channel DA cards, and the optional Dante module. Installation DADman software Configuration page The unit specifications are all outlined at the end of this article Adding the Pro|Mon 2 functionality to this really is the icing on the cake. It is so much more, and with the flexibility of the IO modules in conjunction with the cross point matrix, it is better thought of a comprehensive routing matrix for all your studio needs, in which Pro Tools can hang off of the DigiLink ports as just one of many devices. On the face of it the MTRX is a new IO offering for Pro Tools, but having spent a couple of weeks with the unit, this school of thought is doing it a great disservice. While the Pro Tools|MTRX is new, it is largely based on the DAD AX32, so I am going to keep this overview of the system brief. I am sure I am not alone with this train of thought, so it is on this premise that I am going to attempt the review the unit… Overview DADman software Routing Matrix page How much of my machine room rack space can I reclaim? Can one box really replace my HD I/Os, the XMON, and my master system clock? With Pro|Mon 2 it becomes a comprehensive monitoring controller from mono and stereo up to 64 channels, with customisable downmix options and all the externals and cue options one could wish for. T he Pro Tools|MTRX promises to be many things to many people, with a highly flexible IO architecture, world class AD/DA conversion, and a 1500 x 1500 cross point routing matrix (hence the name). Given the increasing production demands placed on us as professionals, along with immersive surround formats, the XMON is definitely showing its age. Now don’t get me wrong, unlike many I have no major issues with XMON, it is just that it is somewhat limited in functionality even as a basic monitoring controller. When purchasing the S6 a couple of years ago I, like many, was somewhat disappointed to learn that the monitoring controller solution of the time was the XMON, repurposed from the ICON system that went before. It is from this angle, as a studio owner and end user, that I am approaching this article. Here I carry out a large proportion of my work mixing both Music, and Film and Television productions. However, I am also a studio owner with a commercial grade private studio based around a Pro Tools|HDX2 system with a Pro Tools|S6.
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As a freelance contractor for Avid, I deliver certified training courses to instructors and end users for the Avid Learning Partner program, as well as writing elements of their official curriculum and delivering Professional Services consultancy. One of my major clients over the past 10 years has been Avid, a relationship that has grown through my professional use of Pro Tools and Avid solutions. I am a freelance Audio Engineer of over 20 years professional experience, initially primarily in music, graduating from analogue tape to the digital technology of the time and to Pro Tools when very much in its infancy, increasingly over the course of my career applying my skill-set to audio post-production for film and television. So when asked by good friends and long time professional colleagues Tim Hurrell and Ben Nemes if I would be interested in writing an article on the unit for Resurface, I jumped at the chance of spending some quality time seeing just how much the MTRX could do for me.Īt this point I should disclose my relationship with Avid, for the sake of hopefully being impartial in this review. However, Avid announced their partnership with DAD with the Pro Tools|MTRX at the 114 th AES Convention in LA in October 2016. I have to admit that these days rarely do I get overly excited about a new piece of gear, but the Pro Tools|MTRX (and the DAD AX32 that went before it) have been of interest for quite some time, to the point where I solicited quotes for an AX32 a while back. Avid MTRX review by award winning audio engineer Justin Fraser:
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